Oz Clarke and James May travel through Britain and Ireland to discover the amazing array of drinks on offer for the delectation of a wine ponce and an incorrigible scruffbag. They start their journey on top of the magnificent and enigmatic White Cliffs and travel north to Yorkshire in a 1982 Rolls Royce Corniche. 　　Their first pint of the trip is in the Tan Hill Inn in Yorkshire, where James discovers, to his dismay, that Oz knows as much about British beer as he does about wine. Their journey then takes them to the centuries-old Fawcett Maltings in Castleford, and Thornbridge Brewery, a successful micro-brewery in Derbyshire, where they discover exactly what goes into a pint of beer. 　　Oz is unable to keep away from wine and tracks down one of the most northerly commercial vineyards in the country, where he discovers, to his surprise, that wine has been made in Yorkshire since Roman times. 　　For the final part of the first leg of their trip, Oz and James leave the car behind and take to the rails, enjoying the beers in a string of real ale pubs located on station platforms. Their tasting notes become as unreliable as the train timetable as the evening proceeds, but despite a spell of beer-fuelled bickering, the evening ends peacefully.

Oz Clarke and James May travel through Britain and Ireland to discover the amazing array of drinks on offer for the delectation of a wine ponce and an incorrigible scruffbag. They start their journey on top of the magnificent and enigmatic White Cliffs and travel north to Yorkshire in a 1982 Rolls Royce Corniche. 　　Their first pint of the trip is in the Tan Hill Inn in Yorkshire, where James discovers, to his dismay, that Oz knows as much about British beer as he does about wine. Their journey then takes them to the centuries-old Fawcett Maltings in Castleford, and Thornbridge Brewery, a successful micro-brewery in Derbyshire, where they discover exactly what goes into a pint of beer. 　　Oz is unable to keep away from wine and tracks down one of the most northerly commercial vineyards in the country, where he discovers, to his surprise, that wine has been made in Yorkshire since Roman times. 　　For the final part of the first leg of their trip, Oz and James leave the car behind and take to the rails, enjoying the beers in a string of real ale pubs located on station platforms. Their tasting notes become as unreliable as the train timetable as the evening proceeds, but despite a spell of beer-fuelled bickering, the evening ends peacefully.

中国古代有一个传说，秦始皇派出徐福和三千童男童女乘船到东方的蓬莱仙境寻找长生不老的仙药，，，，，，据说他们后来到了日本。 　　同样在中国古代，人们对世界很多种理解，其中一种是：人们认为世界是一座巨大的山，这座大山被一个巨大的龟驮着，这龟叫做“赑屃”，据传是龙的第九个儿子，特别善于负重，而龟又踩着四只大象，，，，，，这是世界的构成方式。 　　魔术师的世界，这个唯一合法的谎言家，杜撰着这个世界最美丽的政治神话，但却是一个飘渺的海市蜃楼，可整个世界却为之倾覆，一切都是浪漫的废墟，在这废墟之上，会出现人们期待已久的辉煌么？ 　　或者，我们需要颠覆谎言，，，，，，主义之外，我们的生活应该如何？ 　　时光荏苒，到了今天，我来到日本，缘起在横滨ycc的艺术项目。这部作品包括三个部分，在横滨是第一部分，完成10张巨幅的绘画。在北京是第二部分，完成了一部动画作品的绘制工作，所有的场景都是来自日本。第三部分在名古屋完成一个现场的绘画。 　　这件作品和日本有关，但故事来自中国。

中国古代有一个传说，秦始皇派出徐福和三千童男童女乘船到东方的蓬莱仙境寻找长生不老的仙药，，，，，，据说他们后来到了日本。 　　同样在中国古代，人们对世界很多种理解，其中一种是：人们认为世界是一座巨大的山，这座大山被一个巨大的龟驮着，这龟叫做“赑屃”，据传是龙的第九个儿子，特别善于负重，而龟又踩着四只大象，，，，，，这是世界的构成方式。 　　魔术师的世界，这个唯一合法的谎言家，杜撰着这个世界最美丽的政治神话，但却是一个飘渺的海市蜃楼，可整个世界却为之倾覆，一切都是浪漫的废墟，在这废墟之上，会出现人们期待已久的辉煌么？ 　　或者，我们需要颠覆谎言，，，，，，主义之外，我们的生活应该如何？ 　　时光荏苒，到了今天，我来到日本，缘起在横滨ycc的艺术项目。这部作品包括三个部分，在横滨是第一部分，完成10张巨幅的绘画。在北京是第二部分，完成了一部动画作品的绘制工作，所有的场景都是来自日本。第三部分在名古屋完成一个现场的绘画。 　　这件作品和日本有关，但故事来自中国。

http://www.tudou.com/programs/view/clp831OJkiw/

http://www.tudou.com/programs/view/clp831OJkiw/

内尔•格雷登（Noel Graydon），一个澳大利亚摄影师。与其他摄影师不同之处在于，格雷登的镜头往往对准某个特殊群体——恋物者。 　　虐恋文化（BDSM）是当今欧美颇为盛行的异类流行文化。入道5年，格雷登被训练成出色的BDSM主人和摄影师。跟随他的讲述，导演向观者展示了这个鲜为人知且带有神秘、禁忌的世界。格雷登及其同好介绍了针刺、紧缚、刺青、皮革等虐恋亚文化，连同其他受访者首次公开这一特殊族群的真实内心世界。 　　本片荣获2004’纽约CineKink电影节最佳纪录短片奖。

内尔•格雷登（Noel Graydon），一个澳大利亚摄影师。与其他摄影师不同之处在于，格雷登的镜头往往对准某个特殊群体——恋物者。 　　虐恋文化（BDSM）是当今欧美颇为盛行的异类流行文化。入道5年，格雷登被训练成出色的BDSM主人和摄影师。跟随他的讲述，导演向观者展示了这个鲜为人知且带有神秘、禁忌的世界。格雷登及其同好介绍了针刺、紧缚、刺青、皮革等虐恋亚文化，连同其他受访者首次公开这一特殊族群的真实内心世界。 　　本片荣获2004’纽约CineKink电影节最佳纪录短片奖。

Pacheco has a phobia of small animals (insects, worms, lizards and so on). His father, in an attempt to help him get over his phobia, exposes him to a very unusual therapy: he makes him sleep with some of these animals closed in a jar and kept in the house. 　　In this way, Pacheco slowly gets used to contact with the animals and is finally able to overcome his initial repugnance to the point of even feeling affection for them. So much so that the final result goes way over his father’s wildest expectations…

Pacheco has a phobia of small animals (insects, worms, lizards and so on). His father, in an attempt to help him get over his phobia, exposes him to a very unusual therapy: he makes him sleep with some of these animals closed in a jar and kept in the house. 　　In this way, Pacheco slowly gets used to contact with the animals and is finally able to overcome his initial repugnance to the point of even feeling affection for them. So much so that the final result goes way over his father’s wildest expectations…